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DROWNING

  • 4 hours ago
  • 1 min read

By Peter Sullivan


Goya´s Black Paintings: a dark theatre

for the slippery breech birth

of everything abysmal.

A cataclysm of faces writhing

in thick impasto

against a coven-black background.


Then: the drowning dog.

It looks like a small ship labouring up

the steep curve of a towering wave, caught

in a sudden squall under sheets of dirty rain.

But then you make out the hopeful puzzle

on the dog's face as it struggles to keep

its head above the relentless tide.


You would not think when looking at its uplifted,

frightened but ever-hopeful gaze,

buoyant with such resilient grace,

that under the tsunami of sand

its legs were pedalling furiously.

Even as it begs its owner to stop flinging

shovelfuls of grit into its eyes, in order

to smother it in what must be the unwanted

pet dogs' communal burial pit.


You step outside. Relieved.

Finally breathe. Tread on dog shit.



 
 

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